Since 2013, I have been exploring a distinctive technique: white pen on black paper. This inversion of the traditional approach transforms absence into presence, allowing light itself to become the medium. The contrast enhances the dark and surreal atmosphere of my works, where fine lines and intricate details emerge from the void, giving form to visions that are both delicate and unsettling.
Rejected - 2017
Spyware - 2017
The Canvas - 2016
Since 2023, I have begun disrupting the purity of white by layering colors with ballpoint pens. Layer after layer, the ink builds into a unique texture, where subtle tones and irregularities create depth and complexity. This process introduces a new dimension to my work: bridging the stark contrast of black and white with the unpredictability of color.